I like to think I know you guys pretty well. Thus, I’m guessing that you’re pretty excited for tonight’s episode of New Girl. Considering the way my timeline blew up last Tuesday night, we’re all pretty invested in the budding attraction and possible romance between Jessica Day and Nick Miller (Nick Miller, from the streets of Chicago.) I usually catch up with the loft crew on Hulu on Wednesday morning. But immediately after it aired, I got a text from Blog Wife ordering me to find some way of getting my hands on the episode ASAP. Because it was “up there with Jeff and Annie in the season 1 finale. And ‘Casino Night.”‘ “Casino Night”? The standard to which I hold all “my-ship-is-setting-sail” moments? I think I can make time for that.
And was it ever “Casino Night” good. If I had had a pack of cigarettes on hand, I would have smoked them all at the same time. And I don’t smoke.
As much as I re-watch and flail over THE moments, my favorite part is what comes after that first kiss, love confession, or oops-we-accidentally-naked. From the preview clips, we can tell that tonight’s New Girl starts right where the last left off. And I am jonesing for some awkward, “what did we just do?” shenanigans. To prepare, I’ve collected a few of my favorite “Morning After” scenes from television and movies. Join me in the gutter, won’t you?
Chandler and Monica – Friends
Friends had been dropping hints about Mondler for an entire season, but this reveal still broke my teenage brain. I particularly enjoy how Monica is looking relatively calm, while Chandler is clutching the sheet to his body like a virgin on prom night. (We’ll get to one of those later.) Even though this hook-up was set up like a drinking-sad/comfort-sex mistake, we all knew these two were in it for the long haul. And, bonus, in the 7th season episode “The One with the Truth about London,” we get to see how the whole thing actually went down.
Ross and Rachel in Vegas – Friends
There’s something that you really need to know to truly understand me as a person. My Friends OTP isn’t Ross/Rachel. It isn’t even Chandler/Monica, though they’re a close second. I will forever carry the banner for Joey/Rachel, and I will and have gone down with that ship.
That’s a whole post on its own. But the main reason I changed allegiances is that I got the Ross/Rachel fatigue. The high drama moments were exhausting. This Ross and Rachel, the exes and friends who are kind of still weird around each other, are my favorite. Instead of dealing with an emotional crisis, they’re dealing with the fallout of epic drunkenness and a wedding that was, to quote Ross, “Nevada’s fault.” Helllooooo, Mrs. Ross. Hellooooooo, Mr. Rachel!
Brodie and Rene – Mallrats
“What are you doing? You promised me breakfast.”
“Breakfast, shmreakfast. Look at the score, for Christ’s sake. It’s only the second period and I’m up 12 to 2. Breakfasts come and go, Rene, but Hartford, “the Whale,” they only beat Vancouver once, maybe twice in a lifetime.”
Brodie Bruce’s ideal post-coital plans involve a few hours of video games before an afternoon of Olympic-caliber loitering. But Rene decides it’s still a better deal than being fucked in the back of a Volkswagen by a husky Ben Affleck. That’s what they’re talking about, right?
Jim and Michelle, sort of – American Pie
For everyone who ever wished they could have the fun night AND the bliss of waking up alone. Don’t let anyone ever tell you that you can’t have it all.
Well folks, with the SAG Awards airing last night, we are halfway through Awards Season, with only the BAFTAs remaining before the Super Bowl of Pop Culture, The Oscars!! While the majority of the winners were not unexpected, the SAG Awards still managed to have some fun, endearing and moving moments. Let’s reflect on them shall we?
Best Reaction to Winning (Movie Edition): Jennifer Lawrence
Look at our precious blueberry Jennifer Lawrence in that picture. First of all, she is there with Walking Pneumonia and she looks fabulous. And she was genuinely surprised at her win. This was the first head to head battle (or battle with no separate Comedy category) with the other presumed Best Actress Front Runner Jessica Chastain. The race for Best Actress is ridiculously close, especially if Chastain ends up taking the BAFTA. This speech could seal the deal for an Oscar win for Lawrence though. It’s adorable (She thanks “My Super Sweet 16” y’all!!) and gracious without coming off as fake or grating. Ahem. Anne Hathaway. I’ll get to you later.
Also, there has been much debate over whether or not JLaw’s dress ripped. Word is the dress had those sheer panels already, and they were supposed to show throughout the dress but she (wisely) chose to have the sheer panels hidden, and they only showed as she was making her way up the steps.
Best Reaction to Winning (Television Edition): The Cast of Downton Abbey
The ONE upset of the evening was in the Drama Ensemble category, with Downton beating out the likes of Homeland, Mad Men, and Breaking Bad. Clearly, SAG voters are as obsessed with British Television as we are. Apparently this win happened right as something TERRIBLE happened on this week’s airing of Downton on PBS. I’m not saying what the terrible thing was. We respect spoilers here at HoF, as Sage will be discussing shortly. As someone said on twitter last night, that win does NOT make up for what happened, universe!!
Also how FOXY is Mrs. Hughes???? And this is the most precious picture ever, even with the amount of side/underboob Lady Mary was showing.
Worst Reaction to Winning (entire show edition): Anne Hathaway
Annie. We discussed this in our post on the Golden Globes. You KNOW you are winning. Work on your speeches. You just come off as disingenuous to me. Maybe it’s nerves? Whatever it is, you’re just trying too hard. You’re also rich, so there is no need for you to joke about “just being thrilled to have dental”. This is why people roll their eyes at you. Get yourself together before February 24th please. Watch tapes of Lawrence and Chastain’s past speeches. Also wear a better dress please, cause that one was fu to the ugly.
With a few bright exceptions, this year’s Golden Globes fashion was a full-on snoozefest. The carpet was full of celebs in playing-it-safe neutrals and prom-y ball gowns. The risks weren’t risky; Jennifer Lopez in a naked dress? Quelle surprise! Even Jennifer Lawrence, who usually rocks it, didn’t hit the mark this time. And can we PLEASE call it a day on mermaid gowns? Did I sit on the remote and accidentally change the channel to a Say Yes to the Dress marathon? Ladies, reign in your Ariel fantasies. Time for this trend to die.
Hollywood: I need you to step up your game before the Oscars. You are officially on notice.
Even a ho-hum year like this has its fashion moments. And here they are, my picks for the Best Dressed of the 2013 Golden Globes! (See Kim’s post on the ceremony here.)
Amy Poehler and Tina Fey, obviously
Our hostesses with the most-esses did not disappoint on any level. Their onstage and red carpet looks were sleek and sexy, befitting the queens that they are. Tina accentuated her gorgeous teal sequins and black and white wiggle dress with soft, Lana Turner-esque waves, while Amy went with a classy side knot.
My favorite Amy look was her uuuuuber-sexy red carpet suit by Stella McCartney, who designed all of her outfits for the big show. The deep V, the perfectly cropped pant, the sparkly platform sandals. It’s heaven.
Tina was no slouch either in this L’Wren Scott number. The cut makes her body look redonk. And I know Kim is still dreaming about those shoes.
A post-baby Claire Danes was looking red hot in Atelier Versace. This showstopper stood out in the crowd of cream, blush, and white. My only complaint is that the bruise-colored eye makeup was laid on a little thick. Good thing her Globe win didn’t make her cry.
Let’s get right to it. Tina and Amy KILLED last night. They looked AMAZING (Stay tuned for Sage’s post about Globes fashion) and they were hysterical without every straying into mean Ricky Gervais territory. I just love them so much, you guys. Can they host ALL the awards shows together??
In fact, they were UNDERUSED in the second half of the show which prompted this tweet from Sage: “Can we get an APB on Amy and Tina?” Why DO Awards Show Hosts tend to vanish in the second half of the show? Is it a time thing? An “Oh crap we need to finish this show by 11 and there are SO MANY categories left” thing? Someone explain it to me please. But when Amy and Tina DID appear, it was amazing, from dressing up as fake nominees in categories to hanging with superstars during the Comedy Actress category. But come on, Tina. You could have hung with someone cooler than Jennifer Lopez.
Way back when we launched Head Over Feels, Sage made a post about picking a new ship for Amy, as news about her divorce had just broken. Well…sorry Louis C.K., but I have a new winner:
Make this happen, universe. COULD YOU IMAGINE??
Also, Clooney could eternally GET IT. To quote Sex and the City, “He’s like a Chanel Suit. He never goes out of style.” You want to feel old? That line was uttered TWELVE YEARS AGO. And Cloons has only gotten better with age. He’s number one in my common law top 5. The EYE CRINKLES. I cannot.
PS How is he STILL dating Stacy Kiebler?? I seriously thought that was a relationship purely for the red carpet last year.
Also Seth McFarlane, the gauntlet has been thrown down for your Oscar hosting gig. I have a feeling you won’t live up to Amy and Tina’s flawlessness. But good luck to you sir. (Ugh, seriously, I am NOT looking forward to him hosting. It’s going to be terrible.)
Highlights from the show:
– Jodie Freaking Foster, everyone. Her speech started loopy (We died over her yelling “I’m 50!!!” SNL style) then veered into a bit of “Fuck you” territory regarding her personal life and much speculated about sexuality and then closed in an incredibly touching retrospective on her career and where she goes from here. I loved the “But it will be my writing on the wall: Jodie Foster was Here” bit.
Every year I wake up on Oscar Nomination full of anticipation…what madness does the Academy have in store for us this year?? And this year was even MORE interesting, as the nominations were being announced BEFORE any of the other major awards shows have even happened (The Critics Choice Awards are tonight, and the Golden Globes are Sunday) so there was no way any wins could sway momentum in anyone’s favor. So while things that were expected (like Lincoln dominating) happened, the Academy threw us a couple curve balls (AHEM BEST DIRECTOR) to keep things interesting. I feel like many of these races are WIDE open y’all, despite the number of nominations Lincoln got. Campaigning is gonna get ugly. So let’s get right to discussing the major races, shall we?
(However, I must make a quick observation about the nomination announcement: CAN EMMA STONE CO-HOST PLEASE???)
Beasts of the Southern Wild
Life of Pi
Silver Linings Playbook
Zero Dark Thirty
I have seen 5 of these (Argo, Les Mis, Lincoln, Life of Pi, Silver Linings). Okay BIG confession time: I found Lincoln to be a bit dull.
Yes, the acting was excellent, especially by the three that got nominated this morning (DDL, Field, Jones) but come on. I can’t be the only one who got sleepy somewhere in the middle of it, can I??? Also, I know I need to see Amour (which will probably be a shoo-in winner for Foreign Film) but I KNOW it will leave me suicidal afterwards, based on everything I have read about it. Another confession: Quentin Tarantino is VERY hit or miss with me. AND I hate Jamie Foxx. Like…really hate him. So I am hesitant about Django. I plan on seeing Beasts as soon as I can get my hands on a DVD (actually, I am hoping they will re-release it here in NYC). And ZDT is at the top of my list, and hopefully I will see it in the coming week or so.
So who will win?? I HAVE NO IDEA. I feel like this field is wide open, folks. My personal favorite right now is Argo. But will the lack of support in other fields (BEST DIRECTOR) play against it?? Will we have a year where Picture/Director DON’T match up? I think it is entirely possible.
Michael Haneke, Amour
Ang Lee, Life of Pi
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild
THIS is the category where the Academy made this race WACKY.
The directing branch has long been a Boys Club, so it was miraculous when Kathryn Bigelow won for The Hurt Locker a few years ago. Buzz was building again that she would be a strong contender for Zero Dark Thirty. Buzz was that she would possibly even WIN. AND THEN SHE WASN’T EVEN NOMINATED. I don’t understand. Are they threatened by the fact that she has taken traditionally masculine topics like war and terrorism and effing SCHOOLED them in how to portray it masterfully? Or are they just too threatened by the fact that she has a vagina? Seriously. I cannot.
ALSO BEN AFFLECK Y’ALL. What the hell happened??? Actors turned Directors have historically been all SORTS of Oscar Bait (Just ask Marty Scorsese) and Affleck has now turned in three excellent pictures, yet he still can’t break through with the Academy in this category. Are they bitter about him winning for the Good Will Hunting screenplay? Have they not forgiven him for the days of Bennifer and Gigli? I don’t get it.
Of course, my opinion could totally change once I see Beasts and Amour. And clearly, the Academy had a big hard-on for Silver Linings Playbook, which I also loved, but I don’t really consider it a great piece of DIRECTING.
I’m not one for crash diets, probably because I don’t hate myself, or food for that matter. But after the usual holiday-related gluttony, I’ve been feeling sluggish and eager to get back to a routine that less resembles Michael Phelps in training but minus most of the workouts. But how? What flawless and unimpeachable health guru is there to turn to for advice?
Gwyneth Paltrow to the rescue. In case you haven’t heard, Gwyneth has a website and e-newsletter called goop, which I think stands for “White Girl Problems Weekly.” But enough internet whiners have complained about her giving advice from a place of privilege, as if she’s the only celebrity to ever do so. No Gwyneth haters are we.
In fact, my roommate and I are embarking on a 7-day detox goop cleanse recommended by Ms. Paltrow. The good news is that we’re not starving ourselves. The bad news is that we can’t have dairy, gluten, processed foods, red meat, sugar, caffeine, or alcohol, so it feels like we are.
We’ve concocted a plan to get us through this trying time and hopefully save the lives of our friends and colleagues. Gwyneth got us into this mess, and only she can get us out. We’ve scoured her filmography to present you with one Gwyneth movie for each day of your cleanse. Ready, set, detox!
Day 1: Iron Man
It’s Day 1, and you’re feeling excited, anxious, and a little powerful. For the cleanse kick-off, I’m recommending the original Iron Man with Gwynnie as Tony Stark’s long-suffering assistant Pepper Potts. For the next 7 days, it will help to think of yourself as another unlikely superhero. And I can think of no better cure for a caffeine withdrawal headache than heaps and heaps of RDJ.
Day 2: Shallow Hal
It’s what’s on the inside that counts, blah blah blah. It’s Day 2 and your stomach is cannibalizing itself. Time to think thin.
Listen: The holidays are awesome. All the best movies of the year come out within the same two-week span; you can start drinking at pretty much any time of the day that you feel like it; and people you like GIVE you stuff. They just give it to you!
For those of us who wear our hearts and feels on our sleeves, we can assume that at least some of that stuff will be fandom-related. And fandom presents are the BEST presents. How could socks and underwear possibly compare to the ThinkGeek catalog or the creme de la Redbubble?
We put out the call to our Twitter followers and, as always, they came through like gangbusters. Check out the plethora of geek gifts the Head Over Feels family got this year!
“Do you hear the people sing?
Lost in the valley of the night
It is the music of a people who are climbing to the light.
For the wretched of the earth there is a flame that never dies,
Even the darkest night will end and the sun will rise.”
I feel like most musical theatre fans of my age really cut their teeth on Les Miserables. While my parents had taken me to see other shows (including the other 80’s British Behemoth Phantom of the Opera), Les Mis was the first musical that I would listen to for hours on end. Oh, how I wanted to be Eponine when I was a teenager (which is interesting, because as an adult, my tastes lean more towards Fantine)! I would listen to the CDs in the car, often having a MAJOR solo singalong to “One Day More” in which I would do all the different voices. So needless to say, when it was announced that the musical was FINALLY coming to the big screen, I had high expectations. I devoured each little tidbit of news…Hugh Jackman as Jean Valjean!! Russell Crowe as Javert? Hmmmm. Annie Hathaway as Fantine? Hey, she can sing. Amanda Seyfried as Cosette? Meh, nobody likes Cosette anyway. HOLD THE PHONE TAYLOR SWIFT IS GOING TO BE EPONINE?!?!?! NO. No no no no no no. WAIT…Eponine is NOT T-Swift but is instead West End Actress Samantha Barks, who was good enough to play the role in the 25th Anniversary concert? WHEW.
The trailer was amazing. All the art work was amazing. Word that came out of advanced screenings was rapturous. People were weeping and then giving it standing ovations. They declared the Oscar Race for Best Supporting Actress over before it even started…everybody else go home, cause Anne Hathaway has this in the bag.
All the online chatter did not help temper my expectations. Could Les Mis possibly live up to the hype? I dragged my family along with me to the first screening on Christmas Morning to find out…
Obviously, there are spoilers. But what do you care? You know the Cast Recording inside out, don’t you?
I’m going to go out on a limb here and say that the current state of the romantic comedy is not so good. It’s been steadily deteriorating since the rise of the soulless overstuffed ensemble holiday movie and the beginning of the dark reign of Katherine Heigl. Meg Ryan has been ritualistically sacrificing her face in protest for years.
Romcom junkies like myself mourned the passing of our patron saint, Nora Ephron, by breaking out the classics. When Harry Met Sally and Sleepless in Seattle are the gold standard. But there was a time when Hollywood was kinder to us, and also churned out a series of relatively cheap and mostly inoffensive romantic comedies that are now largely relegated to the Wal-Mart $3.99 DVD bin. I’m here to point out a few of those films that deserve a better fate. Read on for six romcoms that I deem tragically underrated.
If you watched Just Friends once and thought it was just okay, I beg you to watch it again. And then watch it three more times. And from that point on, you will think it’s the funniest goddamn thing you’ve ever seen. It’s just that kind of movie.
Just Friends has everything you need in a Saturday afternoon Comedy Central movie: Ryan Reynolds in a fat suit; Anna Faris as a psychotic Britney-esque pop star (“You and I are gonna be the greatest musical manager team since Jessica Simpson and her father. Only you and I get to reooowr and they can’t, ’cause it’s illegal. I looked it up.”); the mom from What About Bob?; and some ruminations on whether we can ever truly escape high school.
It’s also immensely quotable, both in surprisingly clever one-liners (“You’re Chris Brander. You’re Hollywood, you date models. He’s Jersey, he skis in his jeans.”) or nonsensical outbursts (“TJ!”) And bonus for this time of year: it’s a Christmas movie! That means it will be on cable thousands of times over the next week, and you can quickly knock out the recommended number of viewings. PS: …Anna Faris.
Bob’s beloved wife Elizabeth dies in a car accident. Grace (Minnie Driver) is very sick, but gets Elizabeth’s heart in a transplant. Bob is completely destroyed until he meets Grace, who basically brings him back to life. The premise of this one is saccharine for sure (it’s the SAME HEART THAT LOVES HIM ALL ALONG), but don’t let it put you off. Return to Me is so simple and gorgeous, it’s stuns me every time I watch it. It’s a charmingly old-fashioned film completely devoid of irony and cynicism.
That’s not to say that Return to Me lacks raw emotion. Nope, nope, nope. Elizabeth’s death is brutal, and the movie lets poor Bob (and their dog, sob) mourn her. My favorite part is after Bob has first meets Grace and he makes an excuse to go back to her family’s Irish-Italian (yes) restaurant where she works. He gets on a step stool, takes a box down from a closet shelf, brushes off the dust, and puts on his good shoes for the first time in who knows how long. All my creys. No movie like this would be greenlit today, and that makes me incredibly sad.
Return to Me‘s other charms include: David Alan Grier and the fabulous Bonnie Hunt; signing gorillas; a Dean Martin-heavy soundtrack, obviously; the cutest old people YOU WILL EVER SEE; and permanent entry on my Common Law Top 5: David Duchovny.
I was expecting madness on the TV Comedy side this morning when The Golden Globe nominations were announced. I ranted about it yesterday in my post about the SAG nominations. So while I am not happy about the insanity that is the TV Comedy section of the Globe Nominations, as LEAST I was prepared. I was NOT prepared for the madness of the drama nominations. Let’s get right to it, shall we?
Best Television Series — Drama
THEY SNUBBED MAD MEN.
I’ll say it again.
THEY SNUBBED MAD MEN. The show that THEY were the first real champion of. The show that has won this award THREE TIMES.
The Hollywood Foreign Press is notorious for not only loving shiny new playthings but for constantly sucking up to super famous people. And The Newsroom is both a shiny new plaything and it’s from a sort of well known guy called Aaron Sorkin. So of COURSE The HFPA was going to fawn over The Newsroom. I just never thought it would be at the expense of Mad Men. (Also, I am saying all of this as someone who is a FAN of The Newsroom. I really am. But…but…MAD MEN THOUGH, YOU GUYS!!)
Also, I still don’t get the obsession with Boardwalk Empire. It bored me to tears in the first few episodes of Season One, so I gave up on it. I can see why it’s an awards magnet: it’s a lavishly designed period piece (see also: Downton Abbey, except Downton is freaking flawless and emotionally engaging). I just never really connected with Boardwalk, so I gave up. Should I try again in ALL of my free time, dear readers? Let me know.
All of this being said, I still think this award is Homeland‘s to lose.