Well, my friends, it is that time of year again: Awards Season is upon us. The time of year when we celebrate the best of the best in film and television at the Golden Globes, The SAG Awards, The Critics Choice awards and the Super Bowl of Pop Culture, the Academy Awards.
It’s also the time of year when people with evolved tastes in television scream at their TVs and Computers in agony on a regular basis.
The SAG nominations came out this morning, and the Golden Globe nods come out tomorrow. So expect to hear a LOT of me screaming about my shows over the next few days.
It never ceases to amaze me at how while the SAG nominations tend to get the film side SO RIGHT, they get the television side (ESPECIALLY the comedies) SO WRONG. Are the Comedy ballots at the back of their books and they are just tired of really thinking about who should be nominated so they just check off all the usual suspects because they are lazy??? Do they know what the word “ensemble” means (here’s a hint: it DOESN’T mean just a really big cast)? More importantly, do they know what the word “COMEDY” means?? I really question whether or not they do.
I will also never cease to understand how they don’t have a category for supporting performances on the television side. How in the HELL can you lump in a supporting player like Christina Hendricks or Neil Patrick Harris with leading performances like Juliana Marguiles and Jim Parsons? The supporting actors, outside of the Modern Family cast or Dame Maggie Smith, don’t have a chance in HELL of being recognized.
Let’s take a look at the nominees, shall we?
Best Comedy Ensemble
The Big Bang Theory
I’m sorry…in what UNIVERSE is the really big cast…erm “ensemble” of Glee better than the ensembles of both Parks and Recreation and Community?? Are the SAG members merely sucking up to uber-producer Ryan Murphy because they all want jobs?? Glee lost its relevance and critical acclaim several seasons ago and is a SHADOW of its former self creatively. And this is coming from someone who thought Glee was BRILLIANT in its first season and a half or so. I don’t understand at all how it is still getting nominated for ACTING. Are they WATCHING the show? The acting is horrendous. And the cast does not work together as an ensemble. Jane Lynch and Matthew Morrison are barely on the show anymore. Most of the original cast has been downgraded to recurring status. Also tears/over emotive singing does NOT equal good acting.
Also SAG voters? The Sopranos (one of the most overrated shows in the history of TV IMO, but that’s another post) went off the air five years ago. Mayhaps it is time to move on from your infatuation with all things Edie Falco. Cause that is the only reason I can think of for your constant nominating of Nurse Jackie. I’m not even a massive fan of Girls, but even I can say that if you were going to nominate an edgy cable comedy, it should have been Girls over Nurse Jackie. I think some people are jealous of Lena Dunham being so successful at age 26.
The Big Bang Theory is the biggest comedy on television, so their nomination was a given. Modern Family, while some (me included, only cause I want other shows to get a chance) whine about it being overpraised, is the three-time Emmy champ and an excellent ensemble of comic actors. It’s the last hurrah for perennial winner 30 Rock and past winner The Office so I wasn’t surprised by those nominations. 30 Rock is having a pretty stellar final season and while it’s not at all what it used to be, the cast of The Office has always been a true ensemble, so I am fine with their nomination. But I can’t help but think/rage that the other two Thursday night NBC comedies, Community and Parks and Recreation are the ones who should be on the list.
ESPECIALLY Parks and Recreation. If you look up the word “ensemble” in the dictionary, you would find a picture of Leslie Knope and Company.
Parks and Recreation
Season 5, Episode 9: Ron and Diane
– Posted by Sage
Merry Congratu-Christmas, Parks fans! Our favorite show gifted us with a hell of a holiday episode, featuring some lessons about friendship and the return of one of the most notorious Pawneeans. We laughed, we cried, we flashed our goods while climbing into a dumpster.
A Ron Swanson original has been nominated for an Indiana Fine Woodworking Association Award, and for once, Ron is just about as excited as Leslie. I mean, he hasn’t composed a Congratu-Christmas carol or anything, but he did invite his ladyfriend Diane (Lucy Lawless) to the banquet. Leslie will also be there, as Ron’s “self-appointed emotional guardian.” Ron is going to actually publicly care about something and Leslie will get to meet and vet Diane? The only thing left to make this night perfect is Ron winning the coveted award for “Achievement in Chair.”
At the awards dinner, Leslie and Diane hit it off over hopes and dreams and Hogwarts houses, while Ron fangirls over his carpentry heros. But the evening threatens to be ruined when Ron’s second and two-time ex-wife Tammy 2 shows up, demanding to, well, get drilled. Head Canon: Tammy 2 knows about the awards because she is the only other person besides Leslie Knope to have a Ron Swanson Google Alert. Leslie double-thumbs-up approves Diane and is horrified that Tammy 2 will scare her away. The “sex-crazed demon librarian” successfully turns Ron’s acceptance speech into a monosyllabic mess with a Basic Instinct move and forces Leslie to consider lifting her ban on the b-word, but can’t shake Diane. (“I’m a middle school vice-principal. I deal with hormonal psychopaths all the time.”) What does worry Diane is Ron’s relationship with Leslie.
My condolences to the Ron/Leslie shippers, but this episode effectively put an end to that dream. They both vehemently deny any romantic interest in each other, but that’s not quite the issue. Diane knows that Ron’s “not a big sharer,” but then meets someone, a female someone, who has been able to break down some of those walls. The difference is that Leslie tirelessly chipped away at them for years with cheerful determination and Ron begrudgingly accepted her intimacy. Diane doesn’t have to do that work. Ron wants to be open with her. Meanwhile, though Leslie Knope is used to being the woman in Ron’s life, she has the grace to step back and support him in a different way. Ron tracks Diane down to do some soul-baring. He confirms that Leslie is “a wonderful loyal friend who is very important in my life” (all my Leslie/Ron friendship feels) and who, at that moment, is taking on Tammy 2 single-handedly to protect them.
To affirm his commitment to her, Ron reveals his alter-ego to Diane – the secret identity unknown even to Leslie. Ladies, get your panty-throwing arms warmed up, because Duke Silver is in the house.
Meanwhile, Tom, Donna, April, and Andy are about to celebrate their favorite annual holiday: Jerry Dinner! In a reverse version of New Girl’s douchebag jar, the four would put a dollar into a box every time Jerry did something stupid or embarrassing and then use the haul to treat themselves to a fancy meal. Ann points out how cruel the game is, but they say it’s not mean if he doesn’t know about it. (“It’s like talking about people behind their backs – everybody wins.”) Still, Donna has an attack of conscience on the way to Jerry Dinner and decides to swing by his house to invite him. The meanies are shocked to find Jerry’s house in full Winter Wonderland-mode. It’s a Gergich Family Christmas!
Party guest Ann plays Ghost of Christmas Present and lets the crew look in on the wholesome fun time (Santa! An indoor buffet!) they’d be having if they weren’t so unkind to Jerry. She won’t let them in until they do something nice. They point their sarcasm at Jerry because he’s too sweet to retaliate and therefore, they aren’t made to feel guilty. But there’s a price to being too cool. Tom, Donna, April and Andy are the ones left (literally) out in the cold, while Jerry is surrounded by friends and his gorgeous blond family. Tom gifts Jerry the full wad of cash and tells him that they’d been putting a dollar in the box any time they caught themselves being jerks. Poor, sweet Jerry is touched as can be and welcomes them inside before summarily being locked out. Sigh. There’s the first dollar in the 2013 Jerry Dinner collection.
Parks and Recreation
Season 5, Episode 8: Pawnee Commons
– Posted by Sage
Welp. First things first.
Because this episode will always be known as “The One Where Ben Made That Face.”
Now that that’s out of the way, let the recapping commence!
Other sitcoms take note: this is how you keep a “will they-won’t they” ship interesting to the audience after it’s been definitively established that they will. The Parks writers have a knack for putting Beslie into situations that milk comedy from their differences while solidifying their meant-to-be-ness.
The timeline of Ben Wyatt’s love affair with Pawnee runs in a parallel line to his love affair with Leslie Knope. In this episode, when he says that he’s in love with this “strange, passionate goofball,” he may as well be referring to this kooky town as much as his fiance. He equates the two, as you must, and would go to the mat for either. But Ben isn’t a native Pawneean. He still has a somewhat objective viewpoint. And that’s where his romance with this town diverges wildly from Leslie’s.
Leslie guests on the GENIUS Pawnee Community Radio show “Thought for Your Thoughts” to put out the call for designs for a new park and to introduce a segment of two jazz recordings played over each other to a cacophonic effect. They’re under a deadline for a decent plan and the submissions aren’t quite up to par. (Who wouldn’t want to spend a relaxing afternoon in “Worm Park”?) Ben and Leslie are both thrilled about the resume submitted by the decidedly overqualified Wreston St. James (played by SNL vet and Mr. Julia Louis Dreyfuss, Brad Hall). That is, until Leslie finds out that he’s from Eagleton. Fucking Eagleton, you guys.
Despite the “blood feud” between the neighboring towns, Wreston seems sincere and excited about mending fences. Ben is starry-eyed and possibly has a little crush on him. But Leslie Knope does not negotiate with Eagletonians. She can’t bring herself to believe that Wreston doesn’t have a plan to prank and shame Pawnee; and her ride-or-die hometown pride won’t abide her cozying up to someone from the other side. (Especially when that side is marked by a sign that reads, “Now Entering Pawnee: Good Luck With That.)
Ben should be especially aware that you don’t REASON with Leslie about the pride of Pawnee. But still, he tries to make her realize that she’s judging Wreston personally on the longstanding disagreements of their towns. The designer himself has been nothing but cordial and helpful. Much like Rhett Butler or Bono. The scene where Leslie wrenches out an apology is pure Amy Poehler genius, particularly the impromptu endorsement of Canada Dry.
“If your mouth is dry, drink Canada Dry! That’s nothing.”
Leslie Knope begrudgingly puts her faith in a citizen of Eagleton and is rewarded by the Carrie-style humiliation she expected. Two blandly attractive members of Wreston firm show up with a model of the park, complete with outdoor showers that come with instructions and drool buckets for the town’s “more slack-jawed” citizens. Ben has to physically hold her back.
Leslie wants, nay, NEEDS revenge. Dear, sweet, balloon-art loving Ben doesn’t see how it all adds up. He goes to meet with Wreston, who assures him that the d-bags responsible have been fired. Leslie has downgraded her revenge plan from arson to whipped cream, and attacks Mr. St. James with a spray can. Wreston must be the most patient man in Indiana, if not the world, as he decides to work on the park pro bono anyway. The resulting model is Leslie’s dream come true – a park that’s not only beautiful, but representative of Pawnee’s less racist and violent history. Maybe I’m a cynical jerk, but I have to say that I’m not entirely sure yet that Wreston isn’t a part of a long Eagleton con. Like Leslie, I remain cautiously optimistic about the future relationship of Pawnee and Eagleton. But really, how much compassion can you expect from the town that produced Voldemort?
Meanwhile, Andy Dwyer is bored. Bored with a capital B. So bored, he’s resorted to pondering our existence and place in this universe. Turns out that nighttime security guard at Pawnee City Hall isn’t exactly an action-packed post. And time is crawling by.
If you want to see two hours fly by in a blink of an eye, Andy, you should try writing a blog.
April suggests passing the hours not as regular joe Andy Dwyer, but as Burt Macklin, FBI loose cannon. April’s upped her role-playing game from duplicitous, wealthy Southern belle Janet Snakehole to Judy Hitler, daughter of The Führer. Andy feels a purpose, if not a real one, interrogating Ms. Hitler about the location of “the necklace with all of Germany’s war secrets.” But while he’s chasing stupid, sexy Hitler all over the building, Agent Macklin gets himself a real case: Little Joey can’t find his mom. But this isn’t a job for Macklin. This one is all Andy. Kid and mom are both grateful, and Andy gets to throw out his best, “Just doin’ my job, m’am.” April helps Andy realize that Burt is no longer what this town needs, and maybe it’s time for him to retire.
The rest of the gang are working on the new home of Rent-A-Swag with Tom, who has become obsessed with being a budget-concious and moderate businessman. Rent-A-Swag won’t be another Entertainment 720, and thus, these new digs have 100% Detlef Schrempf. Sad. The result of decorating the home base while pinching every penny is so depressing that not even DJ Roomba (hey, buddy!!) can jazz it up. And I hope everyone has dinner plans later, because the celebratory pizza party is one small pie. Ann takes Tom out for pancakes and real talk. Entertainment 720 folded because it was all style and no substance, but that doesn’t mean that Tom should withhold all his inherent showmanship from the running of this new business. (“You can’t have Rent-A-Swag without the swag.”) In fact, he needs it. Tom uses the money his friends have collected plus most of the contents of his apartment to trick out the store. There’s still room for small doses of Tommy Timberlake in Tom’s new responsible venture. Just like Ben/Leslie and April/Andy in this episode, Ann helps Tom to balance the extreme parts of his personality with the more down-to-earth. What would Leslie be without her passion? Or Tom without his overconfidence? Or Andy without his imagination? Like Eagleton without palm trees.
A few weeks ago we had a Sexiest Man Alive contest which lead to ultimate Life Ruiners Joel McHale and Adam Scott being crowned the First Annual Head Over Feels Sexiest Men alive and being retired to the Hall of Fame. Now…let it never be said that we are not equal opportunity objectifiers here at Head Over Feels. We appreciate the hot ladies just as much as we do the men. Maybe even more.
So get thee to our Facebook page (and while you’re there, go ahead and like us) and vote for the First Annual Head Over Feels Sexiest Woman Alive. Voting will close tomorrow evening. Don’t see your favorite sexy Lady? Nominate your own choice! In the meantime, feast your eyes upon the gorgeousness of our Top Six Nominees…
As always, thank you to the lovely Chelsea for helping compile gifs and photos. Somebody hire her please. Gif collecting is totally a special skill.
1) Alison Brie
Any Sexy Lady poll that doesn’t include Alison is invalid. Not only is she Community‘s Annie Edison and Mad Men‘s Trudy Campbell (bb, you deserve so much better than Pete. Please divorce his ass next season and become BFF’s with Joanie), just LOOK AT HER. That hair. Those Eyes. Those Legs. The perfect complexion. Don’t even get me started on her cleavage. It’s pretty famous on the internet. And she even knows it. And the fact that she is an incredibly talented actress and comedienne? Well, Ali, that’s just ruining everything for the rest of us.
Parks and Recreation
Season 5, Episode 7: Leslie vs. April
– Posted by Sage
“It was a real honor that, in my sitcom debut, I got to meet someone like Leslie Knope, who believes so deeply in public service. She’s an example for men and women across the country that there’s no higher calling than helping other people.” – Joe Biden
If it wasn’t already obvious to you that Leslie Knope is marrying the right man for her, Ben’s surprise engagement present should have made it abundantly clear. It’s better than a waffle tower! In one of the best Parks cold opens in recent memory, Ben and Leslie have an audience with Vice President and one-man celebrity sex list, Joe Biden. The cameo was secretly filmed in DC last summer, including a scene that would address the other possible election outcome. Thankfully, it wasn’t needed. Forward, bitches.
Amy, Adam, and the Vice President just kill this scene. Leslie is endearingly unhinged; Ben is appropriately horrified at her invading Joe’s personal space; and Mr. Biden is flattered and good-naturedly weirded out at the same time. It’s a beautiful, hilarious moment of wish fulfillment for fans, on our beloved Leslie’s behalf. I love the quote that opens this recap, because it lends so much more meaning to a PR-generating cameo. The President also recently revealed that his family watches Parks and Recreation together. Call me a sucker, but I’m comforted that the White House shares our admiration for this character and the values of this show. *Cue “America the Beautiful,” as I shed a single, patriotic tear.*
Back in Pawnee, Leslie proudly watches April give a presentation on the town’s need for a new dog park. She’s beaming, armed with a camera to capture her protege’s newfound motivation. (“Can you say ‘per capita’ again? I want to take a picture of you saying ‘per capita.'”) She and Ben (and Chris and Ron) have nurtured April’s very, very latent potential, so Leslie rightly feels responsible for her development as an adult and public servant. She’s over the moon until April proposes the dog park site: Lot 48, the infamous pit behind Ann’s house. Uh oh.
For years, Leslie has tried unsuccessfully to turn the cursed Lot 48 into a park. And if Leslie Knope can’t do it, ain’t nobody can. She won’t support April’s plan, even though it may be the one that finally turns the space into something useful. Leslie’s ego, like the rest of her life, exists in her work. We get the feeling that she kinda liked being the only competent person in Pawnee government. She was the hero. Now, under her influence, her coworkers and friends are working harder and caring more. Where does that leave Leslie ? April’s adoption of Lot 48 brings her identity crisis to a head.
Heeding some Swanson advice, Leslie attempts to distract April, first with a visit to Orin’s art show (disturbingly reminiscent of a Bosch painting), then by touring other possible sites for the park (which also sort of look like Bosch paintings, but with more radioactive sewage.) April sees straight through the scheme, and tells Leslie she’ll present her plan to at the council meeting with the support of Councilman Jamm. Leslie tries to warn April that Jamm is unreliable, but April doesn’t want to hear anything else from her. During her presentation, Leslie states that public opinion is clearly against the proposition (“I just heard one hag booing.”), and Jamm pulls his double cross. He thinks parks are useless, but hears that Paunch Burger is looking for a new location. April just got Jammed.
Ron and Ann stage an April/Leslie intervention. With Ann’s mediation, Leslie acknowledges that she hasn’t been a great mentor to April lately; and April apologizes for writing off all of Leslie’s advice in anger. And also, they love each other. Ugh, moments with these two always slay me.
April, Leslie and Ann join forces to fight the real enemy: Councilman Jamm. Leslie’s responsible for the “dick move” that gets him to back down on his dirty tricks. They invite all the park-less kids and dogs in his neighborhood to his play on his lawn. I get the feeling Jamm isn’t a big fan of either. Jamm lays out a peace treaty: in 90 days, they’ll put their various plans before the council and up to a vote. Fair and square. Now, get that hula hoop off my car.
Now that he has his start-up cash from Ron, Tom is taking the next steps with Rent-a-Swag. He smartly asks Ben to check out the business plan. Ben is impressed. Tom offers to cut him in, but Ben is just in to help a friend. Since being back in Pawnee, he’s accepted a position at the same accounting firm he quit in Season 4. He’s getting married and needs a stable, boring job where everyone gets his jokes (“Bond…Municipal Bond.”) Ben sets up a few meetings for Tom to try to partner Rent-a-Swag with other businesses and get some local exposure. Every single meeting results in a “no” to Tom, but a job offer for Ben. Tom’s certainly grown since Entertainment 720 bit it, but he hasn’t had to deal with much rejection yet with this idea. He’s nearly ready to chuck it all when Ben tells him to be patient. If he’s passionate about the idea and sticks with it, great things will happen.
Ben shows up for his first day at Tilton and Randomski (ha), and his boss could not be more thrilled to have him back. He must be a local celebrity, especially to Pawnee math geeks. (By the way, how amazing is John Balma as Barney?) Ben gets one look at his name plate and quits…again. Even though they haven’t shared a scene throughout this whole episode, Leslie is still the driving force behind his decision. She wants him to do something he loves, and now he knows that, even in Pawnee, he has options. Ben Wyatt could be the CFO of Rent-A-Swag or the Executive Director of the Sweetums Foundation. Sky’s the limit for the future First Gentlemen. But still, let’s hope that gorgeous house is paid off.
Ladies and gays, prepare yourselves.
For the past two days, some of Head Over Feels’ favorite men have been in a heated race (mmmm…heated race…) for our own Sexiest Man Alive crown. The campaigning is over, and we’re ready to declare our winner.
Make that winners. It’s a tie!
Two contenders quickly rose to the head of the pack and stayed there deadlocked. It’s only fitting that these two morons are the chosen ones, as they embody every quality that makes a Head Over Feels heartthrob: comic genius, regular genius, latent dorkiness, and a delicious affinity for plaid.
This post comes pre-soundtracked, for your convenience:
Ready? Let’s do this.
The Sexiest Man Alive #1: Joel McHale
Yes, Joel. Just like that.
Like that too.
I mean, can Channing Tatum’s shadow do this? I don’t think so.
Fuck you too, Joel. Ugh.
It’s not just that he ruins lives, it’s that he enjoys it so much.
Annie = #gpoy
The Sexiest Man Alive #2: Adam Scott
Adam’s acceptance speech at the first annual Head Over Feels awards banquet.
Hair porn. All day, every day.
I think I could carve out some time for that, yes.
Lizzy Caplan: “Me too.”
Damn, Lizzy – let someone else have a turn.
*Unable to form sentence*
And as if Joel and Adam weren’t satisfied with separately destroying us, this happened:
I’ll be fine. Just give me a minute.
Thanks to everyone who voted and congratulations to our winners! Keep doing what you’re doing, boys. We only hate you a little bit.
Parks and Recreation
Season 5, Episode 6: Ben’s Parents
– Posted by Sage
Everything is Jean Ralphio and nothing hurts.
As I predicted in my “Halloween Surprise” recap, Tom’s decision to let Jean Ralphio in on Rent-A-Swag (high-end clothing rentals for middle schoolers) ended up being a lot more fun for us than it was for him. Unlike Tom, Jean Ralphio learned absolutely nothing from the dramatic rise and fall of Entertainment 720. After the business partners’ first presentation plan is shot down by April, Tom takes her abrupt advice and embarks on a redesign. This idea has a good chance of working, and he’s not going to squander the opportunity. April has been Ron’s gatekeeper for long enough to know what he wants – no lights, no making it rain, no stupid, made-up words he won’t understand. While Tom tries to focus in on a tighter, more professional approach, Jean Ralphio buzzes around him – an overgrown, be-scarfed, hyperactive child. To Tom’s credit, his reluctance to cut JR loose stems from his ideals of loyalty and friendship. They’re partners. But since Jean Ralphio flat out tells Tom that he couldn’t be less invested in the project, Tom can move forward solo and guilt-free.
Ron couldn’t have been less psyched to see Jean Ralphio at Ben and Leslie’s engagement party, despite the latter’s sick free association skills. While Ron certainly never wants to socialize with the man, he’s mostly disappointed that Tom would share his idea with someone so lacking in work ethic and, let’s face it, smarts. In giving Jean Ralphio the ax, Tom becomes a “serious person” in Ron’s eyes. He can make decisions that aren’t entirely based on instant gratification. Or, in his words, “Sometimes, you gotta work a little, so you can ball a lot.” Ron in 60 Seconds doesn’t even need to see a presentation. Tom has his start-up money. And with that, little Tommy Timberlake is all groweds up.
And acting like a grown up has very little to do with age. There’s no better evidence of this theory than the episode’s namesakes: Ben’s parents. Ben and Leslie are reveling in their new engagement and planning a party to celebrate. A party to which they’ll invite their families. Ben can see the thunder cloud on the horizon, threatening to rain cynicism and awkwardness all over their parade. He tries to warn Leslie that his parents have not been able to treat each other civilly since their divorce 30 years ago. “If there’s anyone who can bring my parents together,” he says to her, tenderly, “it’s no one.” Leslie, eternal optimist, has never met a lost cause she couldn’t fix. Her plan includes a Wyatt/Knope unity quilt, with each square signifying a member of their growing family. What could possibly go wrong?
The first of the Wyatts to arrive is Julia, Ben’s mom (Glenne Headly). Leslie swiftly gets a Chardonnay into her hand as she chats with the formidable and always welcomed Marlene Griggs-Knope. This shaky peace is broken with the arrival of Ben’s dad Stephen (Jonathan Banks, aka Mike Ehrmantraut from television’s Breaking Bad) and, dun dun duuuun: his girlfriend Ulani. From there, the Wyatt family reunion spirals into a flurry of name-calling and snide remarks, leaving Ben dismayed and Leslie and Marlene incredulous. Ben’s thought of an exit strategy, however, which is probably a level of preparedness adult children of divorce need to develop. Leslie ignores his pleas to jump into the waiting cab (P.S. Love that Pawnee has yellow cabs.), and decides to unleash her secret weapon. She’s successfully used a quilt to end epic fights three times: once in junior high, once in relation to a Donna/Jerry parking lot feud that I hope we hear more about someday, and the third time? “Right f**king now.”
Ben’s parents have sunk so low in their pettiness that they only regard Leslie’s project to find fault and more reasons to scream at each other. Stephen is offended that there’s no square for Ulani; Julia resorts to vandalism to remove the square Leslie throws together for her replacement. And Ulani is pregnant. And none of them will go to the wedding. Finally, Leslie accepts defeat. A woman after my own heart, she packs up all the brownies and four bottles of wine and tries to convince Ben to run away with her. But Ben’s had it with being the grown up in his family. His parents have forced him and Leslie to spend their entire engagement party trying to keep them from strangling one another. He’s not going to let them ruin their wedding too. He and Leslie rejoin the party to take a stand, but not after a rejuvenating backseat makeout sesh. Beslie inform Julia, Ulani, and Stephen that they will all go to the wedding, they won’t make a scene, and they will tell the happy couple that they had a great time. The chastisement is more effective than any appeasement strategy. Ben can’t fix his parents, but he can tell them that he expects them to act like adults. More importantly, Leslie doesn’t hold Ben’s insane family against him. She rightly believes that his parents’ toxic relationship hasn’t a thing to do with her future happiness. Unless Ben goes crazy in his old age. But she’s got her eyes peeled for that. They’re so perfect.